
My Kit
All equipment comes fully insured, if there is something you think is missing then don’t worry - we can discuss rental from a selection of rental houses that can supply the equipment needed for your production.
Cameras

A7SIII
A full-frame mirrorless camera that's capable of 4K 120p with a super-fast auto focus, 15-stop wide dynamic range, a double stabilisation system all supported by a larger battery capacity than ever seen before.
FX6
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The Netflix Approved Sony FX6 up to 4k/120p XAVC-I 4:2:2 10bit with external recording at 16-bit linear RAW. Sony’s state-of-the-art full-frame 6k Image sensor.


Sony GM 16-35mm f2.8
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Sony GM 24-70mm f2.8
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Sony GM ii 70-200mm f2.8
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Sony GM 85mm f1.4
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Sony GM 50mm f1.2
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Sony GM 35mm f1.4
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Lenses
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With the top three lenses, I am able to cover a wide range of focal distance to cover whatever the project demands. As the list goes down, the lenses become more stylistic, to get the best quality possible! Other lenses available on request!
Monitors
Being able to see a rough idea of what the finished video is going to look like is made easy with these Atomos monitors, the Ninja V allows for external recording onto an SSD which allows the a7siii to match even closer to the FX6, making the post-production workflow even smoother. While the 7 inch Shinobi allows for an even bigger viewing image.
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Both monitors come fully loaded with Phantom LUTS.


Matte Box and Filters
In order the get unique looks, your production may need some lens filters, the Tilta matte box, not only reduces glare but allows for multiple filters to be installed directly onto the lens, no rods needed to keep the camera weight down for high-speed filming. It comes with a variable ND filter for the a7siii to shoot in bright lighting and a 2x 4x 5.65 Tiffen 1/8 black pro mist filter.



Lighting
The 300x can utilise the Fresnel 2X and Spotlight Mount to give you flexibility from a single fixture. With a simple turn of a dial or press of a button, you can adjust the fixtures white light CCT output between 2700K-6500K in just seconds. On the other hand the Nanlite pavotubes allow for full RGB and everything in-between and can provide a nice hair light or background practical!



Audio
The UWP-D27 is a complete wireless audio package that’s ideal for on-camera interviews, live presentations and other applications where you need to capture crisp, clear sound with minimum fuss making it easy to use with high quality sound and seamless integration with Sony cameras.
The RØDE NTG3B shotgun microphone is designed for professional use on fÑ–lm, television, electronic news gathering or wherever high-resolution broadcast audio is required. As RØDE's premier directional microphone, the NTG3 exhibits rich, warm audio quality with a full frequency response. It can be handheld or mounted onto a stand for minimal crew!
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Gimbal
The RS3 Pro uses extended carbon fibre axis arms to allow more balancing space for professional cameras, making it a perfect fit for cameras like the Sony FX6 with larger lenses, expanding creative possibilities. RS 3 Pro increases motor torque to further enhance stabilisation, delivering stable footage even in fast-moving scenarios.

